Anatomy of a photo: Balvenie Scotch

Several unconnected events converged to make this photo (below). First, I received a review copy of The Nikon Creative Lighting System by Mike Hagen (from rockynook and NikoniansPress publishing). A review is on the way. Second, and more importantly, I received as a gift a bottle of Balvenie Doublewood 12 year old single malt scotch.

Read on to get details of the lighting setup and what I think works and could be improved in this photo.

Balvenie Doublewood 12 Year Old

The setup

This scene was lit with two off-camera flashes. The first reflected from an umbrella directly to camera left set at -1.3 EV. The second directly behind the bottle, aimed at about a 45 degree up angle and towards the camera at 0 EV (TTL mode, normal sync). This flash was zoomed to 50mm. Both flashes were triggered wirelessly from the D90 built-in commander which did not contribute to the exposure. 98mm, 1/60s, f/5.6.

Flash setup

The good

Let’s talk about what I like in this photo and what I don’t like. First,

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Photography and magic and Nikon CLS

A friend of mine calls me up every week or so with a photography question. Usually, he’s looking for the magic incantation or editing technique that will make his photos turn out in a particular way. Sometimes there is such a thing (e.g. wait for the the flash to charge, use manual focus, etc.). But usually there isn’t. Usually, getting a particular effect in a photograph, either at the camera or in post-production, requires experience, artistry, experimentation, and work. And a lot of the stuff you learn on one photo can’t just be applied blindly to the next one. School portraits aside (ha!), every photo is different.

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